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Die Liebe Der Danae
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Arthaus Musik, 2011., Kanopy Streaming, 2016.
Physical Desc
1 online resource (streaming video file) (156 minutes): digital, .flv file, sound
Status
Description
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Subjects
LC Subjects
More Details
Format
eVideo
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
General Note
Playlist
Date/Time and Place of Event
Originally produced by Arthaus Musik in 2011.
Description
Richard Strauss completed his second-to-last opera “Die Liebe der Danae” in 1940. Written under war clouds, the “merry mythology” based on an idea by Hugo von Hofmannsthal was given a provisional, by-invitation-only dress rehearsal premiere at the 1944 Salzburg Festival the day before all theaters in the “Reich” were closed by order of the Ministry of Propaganda. The official world premiere took place at the 1952 Salzburg Festival – now no longer in the presence of the composer, who passed away in 1949. As Europe was about to go up in flames, Strauss was pouring his entire arsenal of melodic beauty and lushness into the score of “Die Liebe der Danae”. The rarely performed opera is nothing if not a feast for Strauss lovers, with arias, ensembles and orchestral interludes blazing with sumptuous colors and rich textures. A kind of compendium of Strauss’ most inspired musical ideas, it is like the swan song of an aged composer who is taking leave from the world on the eve of the catastrophe that will engulf it. Embodying the composer, in a way, is the role of Jupiter, an aging god who realizes that he will never win the love of the beautiful Danae. This timeless production from the Deutsche Oper Berlin can also be seen as the mirror of a changing world order, with a wonderfully suggestive symbol dominating the stage during all three acts: a grand piano suspended upside-down from the rafters. This image can be seen as “an allegory for high and noble art” (Frankfurter Rundschau) or as the symbol of a world turned upside down, ready to come crashing down at any second. Starring Manuela Uhl, Mark Delavan and Matthias Klink in the lead roles, this production does full justice to this rarely performed but exceptionally moving work..
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2011). Die Liebe Der Danae . Arthaus Musik.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2011. Die Liebe Der Danae. Arthaus Musik.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Die Liebe Der Danae Arthaus Musik, 2011.
MLA Citation, 9th Edition (style guide)Die Liebe Der Danae Arthaus Musik, 2011.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
ab3e6317-e64a-494e-5b0e-c257bd01cfc4-eng
Grouping Information
| Grouped Work ID | ab3e6317-e64a-494e-5b0e-c257bd01cfc4-eng |
|---|---|
| Full title | die liebe der danae |
| Author | arthaus musik |
| Grouping Category | movie |
| Last Update | 2024-07-10 12:56:06PM |
| Last Indexed | 2024-10-12 06:00:44AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Nov 16, 2023 |
| Last Used | Dec 13, 2023 |
Marc Record
| First Detected | Apr 21, 2022 11:53:46 AM |
|---|---|
| Last File Modification Time | Jul 10, 2024 12:59:04 PM |
MARC Record
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| 245 | 0 | 0 | |a Die Liebe Der Danae |
| 264 | 1 | |b Arthaus Musik,|c 2011. | |
| 264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2016. | |
| 300 | |a 1 online resource (streaming video file) (156 minutes):|b digital, .flv file, sound | ||
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| 338 | |a online resource|b cr|2 carrier | ||
| 500 | |a In Process Record. | ||
| 500 | |a Title from title frames. | ||
| 500 | |a Playlist | ||
| 518 | |a Originally produced by Arthaus Musik in 2011. | ||
| 520 | |a Richard Strauss completed his second-to-last opera “Die Liebe der Danae” in 1940. Written under war clouds, the “merry mythology” based on an idea by Hugo von Hofmannsthal was given a provisional, by-invitation-only dress rehearsal premiere at the 1944 Salzburg Festival the day before all theaters in the “Reich” were closed by order of the Ministry of Propaganda. The official world premiere took place at the 1952 Salzburg Festival – now no longer in the presence of the composer, who passed away in 1949. As Europe was about to go up in flames, Strauss was pouring his entire arsenal of melodic beauty and lushness into the score of “Die Liebe der Danae”. The rarely performed opera is nothing if not a feast for Strauss lovers, with arias, ensembles and orchestral interludes blazing with sumptuous colors and rich textures. A kind of compendium of Strauss’ most inspired musical ideas, it is like the swan song of an aged composer who is taking leave from the world on the eve of the catastrophe that will engulf it. Embodying the composer, in a way, is the role of Jupiter, an aging god who realizes that he will never win the love of the beautiful Danae. This timeless production from the Deutsche Oper Berlin can also be seen as the mirror of a changing world order, with a wonderfully suggestive symbol dominating the stage during all three acts: a grand piano suspended upside-down from the rafters. This image can be seen as “an allegory for high and noble art” (Frankfurter Rundschau) or as the symbol of a world turned upside down, ready to come crashing down at any second. Starring Manuela Uhl, Mark Delavan and Matthias Klink in the lead roles, this production does full justice to this rarely performed but exceptionally moving work.. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 650 | 0 | |a Music. | |
| 650 | 0 | |a Performance art. | |
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