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Post mortem.
(eVideo)
Contributors
Larraín, Pablo, director.
Castro, Alfredo 1952- actor.
Manero, Tony, actor.
Zegers, Antonia, 1972- actor.
Kanopy (Firm)
Castro, Alfredo 1952- actor.
Manero, Tony, actor.
Zegers, Antonia, 1972- actor.
Kanopy (Firm)
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 98 min.) : digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
Spanish
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Kino Lorber Edu in 2010.
Description
The second part of director Pablo Larrain's celebrated trilogy about Chile during the dictatorial reign of Augusto Pinochet, Post mortem is a "grim, intense, mordantly comic little film" (A.O. Scott, New York Times) about a civil servant transformed by the 1973 military coup. Mario (Alfredo Castro, Tony Manero) is an unassuming state employee who transcribes notes during autopsies. Furtive and lonely, he becomes obsessed with his neighbor, the dancehall girl Nancy (Antonia Zegers), who is involved with a group of left-wing activists. With the coup, and the death of President Salvador Allende, Nancy's friends are hunted down, and Mario's hospital becomes clogged with the bodies of dissenters. Soon the violence filters into Mario's psyche, and he begins to break down, much like his country. Following the brilliant Tony Manero (2008, available from Kino Lorber), and preceding the recently completed No (2012), Post Mortem is "a new and original vision of political terror" (J. Hoberman, Blouin Art Info) that remains urgently relevant to the repressive regimes of today.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Larraín, P., Castro, A. 1., Manero, T., & Zegers, A. (2014). Post mortem . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Pablo, Larraín et al.. 2014. Post Mortem. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Pablo, Larraín et al.. Post Mortem Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Larraín, Pablo,, Alfredo 1952- Castro, Tony Manero, and Antonia Zegers. Post Mortem Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
94ecd190-730e-5b55-bdd6-669e0e138ba2-spa
Grouping Information
| Grouped Work ID | 94ecd190-730e-5b55-bdd6-669e0e138ba2-spa |
|---|---|
| Full title | post mortem |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-07-15 10:37:41AM |
| Last Indexed | 2024-04-24 04:43:41AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Sep 26, 2022 |
| Last Used | Jan 8, 2024 |
Marc Record
| First Detected | Apr 21, 2022 11:46:40 AM |
|---|---|
| Last File Modification Time | Jul 15, 2022 10:38:39 AM |
MARC Record
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| 520 | |a The second part of director Pablo Larrain's celebrated trilogy about Chile during the dictatorial reign of Augusto Pinochet, Post mortem is a "grim, intense, mordantly comic little film" (A.O. Scott, New York Times) about a civil servant transformed by the 1973 military coup. Mario (Alfredo Castro, Tony Manero) is an unassuming state employee who transcribes notes during autopsies. Furtive and lonely, he becomes obsessed with his neighbor, the dancehall girl Nancy (Antonia Zegers), who is involved with a group of left-wing activists. With the coup, and the death of President Salvador Allende, Nancy's friends are hunted down, and Mario's hospital becomes clogged with the bodies of dissenters. Soon the violence filters into Mario's psyche, and he begins to break down, much like his country. Following the brilliant Tony Manero (2008, available from Kino Lorber), and preceding the recently completed No (2012), Post Mortem is "a new and original vision of political terror" (J. Hoberman, Blouin Art Info) that remains urgently relevant to the repressive regimes of today. | ||
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